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<channel>
	<title>Mary Simpson</title>
	<link>https://marysimpson.net</link>
	<description>Mary Simpson</description>
	<pubDate>Tue, 10 May 2022 14:28:18 +0000</pubDate>
	<generator>https://marysimpson.net</generator>
	<language>en</language>
	
		
	<item>
		<title>Texts</title>
				
		<link>https://marysimpson.net/Texts</link>

		<pubDate>Sun, 08 May 2022 20:41:06 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

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		<description>
	
	
	
	

	
	
	
	

	
	
	
	

	
	
	
&#60;img width="197" height="373" width_o="197" height_o="373" data-src="https://freight.cargo.site/t/original/i/3c87b5f23fca7c870fff8a263c6de7b443e3da128c06346c54f93147b489ceaa/Writing-Thumb.jpg" data-mid="142002039" border="0" data-scale="93" src="https://freight.cargo.site/w/197/i/3c87b5f23fca7c870fff8a263c6de7b443e3da128c06346c54f93147b489ceaa/Writing-Thumb.jpg" /&#62;
 writing&#38;nbsp;&#38;nbsp;

	&#60;img width="197" height="373" width_o="197" height_o="373" data-src="https://freight.cargo.site/t/original/i/5654c34370a10956567535f2cdf685bf09e4b873e787b5f2cd89897ae9d2a09e/Interviews-Thumb.jpg" data-mid="142001560" border="0" data-scale="93" src="https://freight.cargo.site/w/197/i/5654c34370a10956567535f2cdf685bf09e4b873e787b5f2cd89897ae9d2a09e/Interviews-Thumb.jpg" /&#62;
interviews

	&#60;img width="197" height="373" width_o="197" height_o="373" data-src="https://freight.cargo.site/t/original/i/2abe4ef65993d3dc28d13009004fa04b319f258f26e7f66201153ed6cd19af05/Portfolios-Thumb.jpg" data-mid="142001070" border="0" data-scale="93" src="https://freight.cargo.site/w/197/i/2abe4ef65993d3dc28d13009004fa04b319f258f26e7f66201153ed6cd19af05/Portfolios-Thumb.jpg" /&#62;


portfolios

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reviews

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	<item>
		<title>Reviews</title>
				
		<link>https://marysimpson.net/Reviews</link>

		<pubDate>Tue, 10 May 2022 14:20:10 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/Reviews</guid>

		<description>
	
	
	
	

	
	
	
	

	&#60;img width="197" height="373" width_o="197" height_o="373" data-src="https://freight.cargo.site/t/original/i/6cb0c679da41f4544299daeb02d58327456eda409960a98c31928072e2528a87/Reviews-Thumb.jpg" data-mid="142174182" border="0" data-scale="93" src="https://freight.cargo.site/w/197/i/6cb0c679da41f4544299daeb02d58327456eda409960a98c31928072e2528a87/Reviews-Thumb.jpg" /&#62;
︎ selected reviews PDF (100 MB)
Christina Schmid, “between friends: On Mourning, Mirrors, and Togetherness in Extraordinary Times,” MN Artists, Walker Art Center, December 2022
Ian Pedigo, “Mary Simpson: No Island is an Island,” ArtPyre Online, October 2021
Nancy Shaver, “17 Artists (+2) to Watch in 2017,” New American Paintings Online, December 2016
“9 Events to Attend in New York City This Week,” Artnews Online, 2016
“Mary Simpson,” Art in America, December 2015
Jerry Saltz, “Go See: Mary Simpson, Off Hours,” NY Magazine, November 18, 2015
Anya Ventura, “Mary Simpson,” Critics Picks: Minneapolis, Artforum, 2015
“Glass Puzzle,” Goings on about town: Art, The New Yorker, July 21, 2014
Karen Rosenberg, “Glass Puzzle,” Art in Review, New York Times, July 3, 2014
Mason Leaver-Yap, “Mary Simpson: Leap/Linger” Afterall Online, November 2011

</description>
		
	</item>
		
		
	<item>
		<title>Interviews</title>
				
		<link>https://marysimpson.net/Interviews</link>

		<pubDate>Tue, 10 May 2022 14:28:18 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/Interviews</guid>

		<description>
	
	
	
	

	
	
	
	

	&#60;img width="197" height="373" width_o="197" height_o="373" data-src="https://freight.cargo.site/t/original/i/5654c34370a10956567535f2cdf685bf09e4b873e787b5f2cd89897ae9d2a09e/Interviews-Thumb.jpg" data-mid="142175416" border="0" data-scale="93" src="https://freight.cargo.site/w/197/i/5654c34370a10956567535f2cdf685bf09e4b873e787b5f2cd89897ae9d2a09e/Interviews-Thumb.jpg" /&#62;
︎ selected interviews PDF (77 MB)&#38;nbsp;

“Mary Simpson and Joanne Greenbaum: A Correspondance,” Turps Banana, Issue 17, 2016
“Car Talk: Artists Mary Simpson &#38;amp; Carroll Dunham Hit the Road,” Bomb Magazine Online, 2016

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	<item>
		<title>Exhibitions</title>
				
		<link>https://marysimpson.net/Exhibitions</link>

		<pubDate>Thu, 16 Sep 2021 20:16:11 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/Exhibitions</guid>

		<description>
	 
	

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/730c4b355b10425e930f4d5dc7988dd067b04f48250ddcc657d3ebffa376bcc7/Preparing-the-Girl-1.jpg" data-mid="199340206" border="0"  src="https://freight.cargo.site/w/1000/i/730c4b355b10425e930f4d5dc7988dd067b04f48250ddcc657d3ebffa376bcc7/Preparing-the-Girl-1.jpg" /&#62;
Preparing the Girl
Kent Place School, Summit, New Jersey
2023


&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/7f49d62b3e7a836aa4a2f740ab1e9d4db4deffcaba7b94fd81dc7559b94d3eb3/Lynn-and-Arlene.jpg" data-mid="157102336" border="0"  src="https://freight.cargo.site/w/1000/i/7f49d62b3e7a836aa4a2f740ab1e9d4db4deffcaba7b94fd81dc7559b94d3eb3/Lynn-and-Arlene.jpg" /&#62;Nyeema Morgan and Mary Simpson
between friends
David Petersen, Minneapolis
2022
	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e93e421974d3779efae10155cd04e46c56981e5039ed7e70a5dcb633e4f8b60a/Haynes-MarySimpson_NoIslandisanIsland-UAS-04-Revised.jpg" data-mid="137319234" border="0"  src="https://freight.cargo.site/w/1000/i/e93e421974d3779efae10155cd04e46c56981e5039ed7e70a5dcb633e4f8b60a/Haynes-MarySimpson_NoIslandisanIsland-UAS-04-Revised.jpg" /&#62;No Island is an Island
Haynes Court, Chicago
2021






	


	&#60;img width="2212" height="1373" width_o="2212" height_o="1373" data-src="https://freight.cargo.site/t/original/i/4044ec5530ed11aa939e7a230d054f67d2a588041738f19543d1ccfdbeb70b09/simpson-4483.jpg" data-mid="138625367" border="0"  src="https://freight.cargo.site/w/1000/i/4044ec5530ed11aa939e7a230d054f67d2a588041738f19543d1ccfdbeb70b09/simpson-4483.jpg" /&#62;Libido of the Forest
Situations, New York
2018-19




	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/196584b5705bc296cde8678dfcb81e7d32775fd06b74e38a540d71f1adee2062/MS-5-INST_1500.jpg" data-mid="138624663" border="0"  src="https://freight.cargo.site/w/1000/i/196584b5705bc296cde8678dfcb81e7d32775fd06b74e38a540d71f1adee2062/MS-5-INST_1500.jpg" /&#62;
Off Hours
Rachel Uffner Gallery, New York
2015







	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/3acf73d62ba4b3876cd5b12ce1c4bb529ac5be018aeffab7c7375bd5f32d7a94/2015_DSC3577.jpg" data-mid="137332823" border="0"  src="https://freight.cargo.site/w/1000/i/3acf73d62ba4b3876cd5b12ce1c4bb529ac5be018aeffab7c7375bd5f32d7a94/2015_DSC3577.jpg" /&#62;Boys or Women 
David Petersen Gallery, Minneapolis
2015



 Selected Group Exhibitions Organized by Mary Simpson

	&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/392ae78c9b88093efce5cb4f4bfe7540cb2a140b14fa6beec7a768480902f06a/18.jpg" data-mid="137329563" border="0"  src="https://freight.cargo.site/w/1000/i/392ae78c9b88093efce5cb4f4bfe7540cb2a140b14fa6beec7a768480902f06a/18.jpg" /&#62;
Barbarian in the Garden
Pitt Street, New York2016





	&#60;img width="1300" height="903" width_o="1300" height_o="903" data-src="https://freight.cargo.site/t/original/i/2a03e758af6c03437d737b82a79aa233fe043287289a276ccf7412056e0a6643/_Install4_Simpson_Eichwald-s_o.jpg" data-mid="138626681" border="0"  src="https://freight.cargo.site/w/1000/i/2a03e758af6c03437d737b82a79aa233fe043287289a276ccf7412056e0a6643/_Install4_Simpson_Eichwald-s_o.jpg" /&#62;
No Drink No Talk Just Beautiful 
On Stellar Rays, New York
2014






	&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/801bbe43920d0b88799c40eb6edd20edada3513ef47326b708d16146be5a567a/Install9-s_o.jpg" data-mid="138627007" border="0"  src="https://freight.cargo.site/w/1000/i/801bbe43920d0b88799c40eb6edd20edada3513ef47326b708d16146be5a567a/Install9-s_o.jpg" /&#62;
Glass Puzzle
Simone Subal, New York
2014


</description>
		
	</item>
		
		
	<item>
		<title>On Panel</title>
				
		<link>https://marysimpson.net/On-Panel</link>

		<pubDate>Thu, 24 Mar 2022 13:50:00 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/On-Panel</guid>

		<description>

	&#60;img width="1658" height="2340" width_o="1658" height_o="2340" data-src="https://freight.cargo.site/t/original/i/5dc8b19b9c858d10445b7eb65b63c6e459a8eb464b13330d382b0cca30a8c190/After-All-2023-thumb.jpg" data-mid="208020109" border="0"  src="https://freight.cargo.site/w/1000/i/5dc8b19b9c858d10445b7eb65b63c6e459a8eb464b13330d382b0cca30a8c190/After-All-2023-thumb.jpg" /&#62;

	&#60;img width="1711" height="2413" width_o="1711" height_o="2413" data-src="https://freight.cargo.site/t/original/i/0ee3d05c901082a9e2f623c2e0f4be191683f46dfca960623e343d500db56b97/Jane-2023-Thumb.jpg" data-mid="208020112" border="0"  src="https://freight.cargo.site/w/1000/i/0ee3d05c901082a9e2f623c2e0f4be191683f46dfca960623e343d500db56b97/Jane-2023-Thumb.jpg" /&#62;

	&#60;img width="2545" height="3593" width_o="2545" height_o="3593" data-src="https://freight.cargo.site/t/original/i/b15ea61e69940c22a7e112d588aaab1cf201a0287b250f696f4e7c5252f5f9d3/Eva-2022_thumb.jpg" data-mid="156967383" border="0"  src="https://freight.cargo.site/w/1000/i/b15ea61e69940c22a7e112d588aaab1cf201a0287b250f696f4e7c5252f5f9d3/Eva-2022_thumb.jpg" /&#62;
	&#60;img width="1000" height="1410" width_o="1000" height_o="1410" data-src="https://freight.cargo.site/t/original/i/0eadf26aa5d11b0016f6c83ec189ca11b4ee6110961e5add72c7bff81390eff3/Simpson-Moons-of-Jupiter-2022-thumb.jpg" data-mid="148298570" border="0"  src="https://freight.cargo.site/w/1000/i/0eadf26aa5d11b0016f6c83ec189ca11b4ee6110961e5add72c7bff81390eff3/Simpson-Moons-of-Jupiter-2022-thumb.jpg" /&#62;



	&#60;img width="2262" height="3193" width_o="2262" height_o="3193" data-src="https://freight.cargo.site/t/original/i/f17cb0e68588494b909962d1e2e391611286bca882cc16770eac0af11a32fead/Elena-thumb.jpg" data-mid="137440507" border="0"  src="https://freight.cargo.site/w/1000/i/f17cb0e68588494b909962d1e2e391611286bca882cc16770eac0af11a32fead/Elena-thumb.jpg" /&#62;
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	&#60;img width="2295" height="3240" width_o="2295" height_o="3240" data-src="https://freight.cargo.site/t/original/i/52b58ff5a11e0726aa1576948cfe114c8302471c6a16d0f78cbd3962d53eaa3a/Lethe-thumb.jpg" data-mid="137440515" border="0"  src="https://freight.cargo.site/w/1000/i/52b58ff5a11e0726aa1576948cfe114c8302471c6a16d0f78cbd3962d53eaa3a/Lethe-thumb.jpg" /&#62;
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		<title>On Canvas</title>
				
		<link>https://marysimpson.net/On-Canvas</link>

		<pubDate>Thu, 24 Mar 2022 17:56:29 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/On-Canvas</guid>

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	&#60;img width="1316" height="2178" width_o="1316" height_o="2178" data-src="https://freight.cargo.site/t/original/i/ade120105ea672536e20b62529f70c0052070204d1fd0022d10e16194fe7c846/MS_Marsyas-2014-thumb.jpg" data-mid="137463952" border="0"  src="https://freight.cargo.site/w/1000/i/ade120105ea672536e20b62529f70c0052070204d1fd0022d10e16194fe7c846/MS_Marsyas-2014-thumb.jpg" /&#62;

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	<item>
		<title>On Paper</title>
				
		<link>https://marysimpson.net/On-Paper-1</link>

		<pubDate>Fri, 25 Mar 2022 11:39:00 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/On-Paper-1</guid>

		<description>

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	&#60;img width="719" height="1014" width_o="719" height_o="1014" data-src="https://freight.cargo.site/t/original/i/272458ed2ed90aedaab2fdaf7b71ad0172ff4edd00b3644bc814f3e6f571415b/PN8-Thumb.jpg" data-mid="152229378" border="0"  src="https://freight.cargo.site/w/719/i/272458ed2ed90aedaab2fdaf7b71ad0172ff4edd00b3644bc814f3e6f571415b/PN8-Thumb.jpg" /&#62;

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	&#60;img width="1335" height="1885" width_o="1335" height_o="1885" data-src="https://freight.cargo.site/t/original/i/9cb2691154757316d0bcd0c64e2ae414013c6a8d7eff9ba37faf356b814bc40c/Purple-Noon_6_2021--thumb.jpg" data-mid="137541045" border="0"  src="https://freight.cargo.site/w/1000/i/9cb2691154757316d0bcd0c64e2ae414013c6a8d7eff9ba37faf356b814bc40c/Purple-Noon_6_2021--thumb.jpg" /&#62;



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	&#60;img width="1585" height="2238" width_o="1585" height_o="2238" data-src="https://freight.cargo.site/t/original/i/3d2ce87c873a69db009ca853e39c072eff719a7d15a2ca579222193c066df800/Necessary-Passion-Blue-thumb.jpg" data-mid="137541025" border="0"  src="https://freight.cargo.site/w/1000/i/3d2ce87c873a69db009ca853e39c072eff719a7d15a2ca579222193c066df800/Necessary-Passion-Blue-thumb.jpg" /&#62;

	&#60;img width="1639" height="2314" width_o="1639" height_o="2314" data-src="https://freight.cargo.site/t/original/i/ec95a4fff3a9a3c68470976a2216b75fa9cb043ddb049b44504b939cab260099/Necessary-Passion-Gray-and-White-thumb.jpg" data-mid="137541028" border="0"  src="https://freight.cargo.site/w/1000/i/ec95a4fff3a9a3c68470976a2216b75fa9cb043ddb049b44504b939cab260099/Necessary-Passion-Gray-and-White-thumb.jpg" /&#62;
	&#60;img width="3482" height="4916" width_o="3482" height_o="4916" data-src="https://freight.cargo.site/t/original/i/df31ff6b9cda08290d5cdcce794a9ef74d3d5c2b2d49b75a34c2c29b3536ff87/Physics-Sunflowers-thumb.jpg" data-mid="137572766" border="0"  src="https://freight.cargo.site/w/1000/i/df31ff6b9cda08290d5cdcce794a9ef74d3d5c2b2d49b75a34c2c29b3536ff87/Physics-Sunflowers-thumb.jpg" /&#62;
	&#60;img width="2493" height="3519" width_o="2493" height_o="3519" data-src="https://freight.cargo.site/t/original/i/a6f3bd391f56fea465c2b47c1565117810878e85104b3e78a8420880123b51dd/California-Poppies-X-thumb.jpg" data-mid="137541018" border="0"  src="https://freight.cargo.site/w/1000/i/a6f3bd391f56fea465c2b47c1565117810878e85104b3e78a8420880123b51dd/California-Poppies-X-thumb.jpg" /&#62;
	&#60;img width="3350" height="4729" width_o="3350" height_o="4729" data-src="https://freight.cargo.site/t/original/i/9b8d7295a7aeb3eace0a0d627cf41c656a008cec983422624658e576b6ab50da/Poppies-Sunrise-thumb.jpg" data-mid="137541038" border="0"  src="https://freight.cargo.site/w/1000/i/9b8d7295a7aeb3eace0a0d627cf41c656a008cec983422624658e576b6ab50da/Poppies-Sunrise-thumb.jpg" /&#62;

	&#60;img width="3386" height="4780" width_o="3386" height_o="4780" data-src="https://freight.cargo.site/t/original/i/057ef1ab312240fc5c7f4b1e4c0f36471014b2872421d64ec2c9f56f92d7e86c/Garden-of-Letters-thumb.jpg" data-mid="137541021" border="0"  src="https://freight.cargo.site/w/1000/i/057ef1ab312240fc5c7f4b1e4c0f36471014b2872421d64ec2c9f56f92d7e86c/Garden-of-Letters-thumb.jpg" /&#62;
	&#60;img width="3463" height="4889" width_o="3463" height_o="4889" data-src="https://freight.cargo.site/t/original/i/4d3dee24b8a329deb17d90fdddaca996c1d2b10c8f0c6ff9933171b55cfe1152/Midsummer-thumb.jpg" data-mid="137541023" border="0"  src="https://freight.cargo.site/w/1000/i/4d3dee24b8a329deb17d90fdddaca996c1d2b10c8f0c6ff9933171b55cfe1152/Midsummer-thumb.jpg" /&#62;
	&#60;img width="3545" height="5005" width_o="3545" height_o="5005" data-src="https://freight.cargo.site/t/original/i/adc18d1c8727a3f8584c9817e2b516d4f7e4ac9e84b5f0000d72f863d2d014f5/Physics-Rose-thumb.jpg" data-mid="137541036" border="0"  src="https://freight.cargo.site/w/1000/i/adc18d1c8727a3f8584c9817e2b516d4f7e4ac9e84b5f0000d72f863d2d014f5/Physics-Rose-thumb.jpg" /&#62;
	&#60;img width="1617" height="2283" width_o="1617" height_o="2283" data-src="https://freight.cargo.site/t/original/i/26f805a6081d1bf041fd2a92cb9f25ae95fe210e0d97a3ce49a09119e0757c0c/Garden-in-the-Mind-Yellow-thumb.jpg" data-mid="137541020" border="0"  src="https://freight.cargo.site/w/1000/i/26f805a6081d1bf041fd2a92cb9f25ae95fe210e0d97a3ce49a09119e0757c0c/Garden-in-the-Mind-Yellow-thumb.jpg" /&#62;

	&#60;img width="1241" height="1752" width_o="1241" height_o="1752" data-src="https://freight.cargo.site/t/original/i/3267945bc114bc512de83474777bc4b6a71d19be6a900ecbefc1f533829049c2/Garden-in-the-Mind-Orange-thumb.jpg" data-mid="137541019" border="0"  src="https://freight.cargo.site/w/1000/i/3267945bc114bc512de83474777bc4b6a71d19be6a900ecbefc1f533829049c2/Garden-in-the-Mind-Orange-thumb.jpg" /&#62;
	&#60;img width="3539" height="4996" width_o="3539" height_o="4996" data-src="https://freight.cargo.site/t/original/i/aaa0ae9f013d78c26e500ff1ec547069fa58e2bc16b1ea44868374b6bd2c7139/Physics-Ranunculus-thumb.jpg" data-mid="137541035" border="0"  src="https://freight.cargo.site/w/1000/i/aaa0ae9f013d78c26e500ff1ec547069fa58e2bc16b1ea44868374b6bd2c7139/Physics-Ranunculus-thumb.jpg" /&#62;
	&#60;img width="1148" height="1621" width_o="1148" height_o="1621" data-src="https://freight.cargo.site/t/original/i/a20105a76ed8c734860426c2a0ebc6c7b1663f02438178e90d329e7e22c460f3/Necessary-Passion-Wild-Word-thumb.jpg" data-mid="137541032" border="0"  src="https://freight.cargo.site/w/1000/i/a20105a76ed8c734860426c2a0ebc6c7b1663f02438178e90d329e7e22c460f3/Necessary-Passion-Wild-Word-thumb.jpg" /&#62;
	&#60;img width="595" height="840" width_o="595" height_o="840" data-src="https://freight.cargo.site/t/original/i/65df25ec89c6129312b137fa9e1e2ee8186caf10f1e4d20f749d7c16704d8489/Untitled_7_2014-thumb.jpg" data-mid="137541054" border="0"  src="https://freight.cargo.site/w/595/i/65df25ec89c6129312b137fa9e1e2ee8186caf10f1e4d20f749d7c16704d8489/Untitled_7_2014-thumb.jpg" /&#62;

	&#60;img width="622" height="878" width_o="622" height_o="878" data-src="https://freight.cargo.site/t/original/i/79d08e26662e5d5d08846448386eb730ab1afb093622bccebafaa03cfe0715c6/Untitled_8_2014-thumb.jpg" data-mid="137541055" border="0"  src="https://freight.cargo.site/w/622/i/79d08e26662e5d5d08846448386eb730ab1afb093622bccebafaa03cfe0715c6/Untitled_8_2014-thumb.jpg" /&#62;
	&#60;img width="1453" height="2051" width_o="1453" height_o="2051" data-src="https://freight.cargo.site/t/original/i/5935fcde2cff52f27bdc9fc534c65c255849334aaf0863b52090c81c377b157b/Unititled_5_2014.jpg" data-mid="137541046" border="0"  src="https://freight.cargo.site/w/1000/i/5935fcde2cff52f27bdc9fc534c65c255849334aaf0863b52090c81c377b157b/Unititled_5_2014.jpg" /&#62;
	&#60;img width="620" height="875" width_o="620" height_o="875" data-src="https://freight.cargo.site/t/original/i/799e8d6a9b6e097c209479e46bc3c8ea8accc6186bba423c697d00d3eb230a9f/Untitled_3_2014-thumb.jpg" data-mid="137541051" border="0"  src="https://freight.cargo.site/w/620/i/799e8d6a9b6e097c209479e46bc3c8ea8accc6186bba423c697d00d3eb230a9f/Untitled_3_2014-thumb.jpg" /&#62;
	&#60;img width="1022" height="1443" width_o="1022" height_o="1443" data-src="https://freight.cargo.site/t/original/i/d7ebb0736aa4bee960b88a17e43a143a77178c50bfa7bd71d06a905ec7edbfca/Untitled_2_2014-thumb.jpg" data-mid="137541050" border="0"  src="https://freight.cargo.site/w/1000/i/d7ebb0736aa4bee960b88a17e43a143a77178c50bfa7bd71d06a905ec7edbfca/Untitled_2_2014-thumb.jpg" /&#62;

	&#60;img width="628" height="886" width_o="628" height_o="886" data-src="https://freight.cargo.site/t/original/i/2f78880aa9a75aa1fa08929d7fea24275b5e7eabde2330d8c1e733dd120591ce/Untitled_1_2014-thumb.jpg" data-mid="137541049" border="0"  src="https://freight.cargo.site/w/628/i/2f78880aa9a75aa1fa08929d7fea24275b5e7eabde2330d8c1e733dd120591ce/Untitled_1_2014-thumb.jpg" /&#62;

	&#60;img width="1470" height="2075" width_o="1470" height_o="2075" data-src="https://freight.cargo.site/t/original/i/34af02e702ab946211024bbaeffa6fb3ecf239642127ebc9f4cb261fc45ebf3a/Untitled_6_2014-thumb.jpg" data-mid="137541053" border="0"  src="https://freight.cargo.site/w/1000/i/34af02e702ab946211024bbaeffa6fb3ecf239642127ebc9f4cb261fc45ebf3a/Untitled_6_2014-thumb.jpg" /&#62;
	&#60;img width="614" height="867" width_o="614" height_o="867" data-src="https://freight.cargo.site/t/original/i/e5f6a9772a41d06b84f42b1a4d6fde3c1591289c4064e9fb2f159439b17510fb/Untitled_4_2014-thumb.jpg" data-mid="137541052" border="0"  src="https://freight.cargo.site/w/614/i/e5f6a9772a41d06b84f42b1a4d6fde3c1591289c4064e9fb2f159439b17510fb/Untitled_4_2014-thumb.jpg" /&#62;
	
</description>
		
	</item>
		
		
	<item>
		<title>On Film</title>
				
		<link>https://marysimpson.net/On-Film</link>

		<pubDate>Sun, 27 Mar 2022 16:07:24 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/On-Film</guid>

		<description>
	
&#60;img width="800" height="597" width_o="800" height_o="597" data-src="https://freight.cargo.site/t/original/i/5fd0d546e9d3c9eb84c0ea4fe04b8f099737ef973f80f1e077530e3d5dca9193/AFeelingofIF_2.jpg" data-mid="137727146" border="0"  src="https://freight.cargo.site/w/800/i/5fd0d546e9d3c9eb84c0ea4fe04b8f099737ef973f80f1e077530e3d5dca9193/AFeelingofIF_2.jpg" /&#62;A Feeling of If



	







	&#60;img width="800" height="445" width_o="800" height_o="445" data-src="https://freight.cargo.site/t/original/i/c254236a9793e3ff8f312b41b0b9ea8a65fd92826dcc9cfde1493e2647615935/10KThings_2.jpg" data-mid="137727145" border="0"  src="https://freight.cargo.site/w/800/i/c254236a9793e3ff8f312b41b0b9ea8a65fd92826dcc9cfde1493e2647615935/10KThings_2.jpg" /&#62;
10,000 Things


	







	&#60;img width="800" height="586" width_o="800" height_o="586" data-src="https://freight.cargo.site/t/original/i/fcc57176ee5ebbdc656707ffde793b31b3728cae28103581a25abd7f637b1ae7/RR_640-2.jpg" data-mid="137727149" border="0"  src="https://freight.cargo.site/w/800/i/fcc57176ee5ebbdc656707ffde793b31b3728cae28103581a25abd7f637b1ae7/RR_640-2.jpg" /&#62;
RR

	





	&#60;img width="800" height="449" width_o="800" height_o="449" data-src="https://freight.cargo.site/t/original/i/2db800a7c89aa2e76e2cdd7ab514e5357a648e0430dca3f3d8d0702177c632dc/Mary_Simpson_01.jpg" data-mid="137727185" border="0"  src="https://freight.cargo.site/w/800/i/2db800a7c89aa2e76e2cdd7ab514e5357a648e0430dca3f3d8d0702177c632dc/Mary_Simpson_01.jpg" /&#62;
The Swimmer


	




	&#60;img width="800" height="449" width_o="800" height_o="449" data-src="https://freight.cargo.site/t/original/i/0c4d7f4fd95e65263833daba602c6186f70b225427f1bdec8dcc9d8092c1089b/If-Now-Then5.jpg" data-mid="137727147" border="0"  src="https://freight.cargo.site/w/800/i/0c4d7f4fd95e65263833daba602c6186f70b225427f1bdec8dcc9d8092c1089b/If-Now-Then5.jpg" /&#62;
IF NOW THEN

	




	&#60;img width="800" height="540" width_o="800" height_o="540" data-src="https://freight.cargo.site/t/original/i/041e961d29ed7f5d5b768a92c650124680f04c6c127e38e108d0c3acca56147b/YA1_800x540_o.jpg" data-mid="137727150" border="0"  src="https://freight.cargo.site/w/800/i/041e961d29ed7f5d5b768a92c650124680f04c6c127e38e108d0c3acca56147b/YA1_800x540_o.jpg" /&#62;
Young Americans

	







	&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/ed5e50167f7f7c64e5bbd01f876514a4ee92a2b631a4fdb529a75d11f2a357d7/Marsyas-19_o.jpg" data-mid="137727148" border="0"  src="https://freight.cargo.site/w/800/i/ed5e50167f7f7c64e5bbd01f876514a4ee92a2b631a4fdb529a75d11f2a357d7/Marsyas-19_o.jpg" /&#62;
Marsyas

	






	&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/bcdee7b20777134f9974c864ff615a401751475583b9282cb7e5b0ba11f68afc/Pause-Thumb800.jpg" data-mid="142068100" border="0"  src="https://freight.cargo.site/w/800/i/bcdee7b20777134f9974c864ff615a401751475583b9282cb7e5b0ba11f68afc/Pause-Thumb800.jpg" /&#62;
Pause



	





	&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/60c359d641c6bc11c0514e3b262da7001eddfff767bbb8358f6052d8445f9007/Aftermath-Thumbnail-800.jpg" data-mid="142068098" border="0"  src="https://freight.cargo.site/w/800/i/60c359d641c6bc11c0514e3b262da7001eddfff767bbb8358f6052d8445f9007/Aftermath-Thumbnail-800.jpg" /&#62;

Aftermath

	






	
&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/962e5cb3ca64680a94d6580fe97083abf60f3565794bd35a804c9777c71c9ca9/River-800.jpg" data-mid="142068101" border="0"  src="https://freight.cargo.site/w/800/i/962e5cb3ca64680a94d6580fe97083abf60f3565794bd35a804c9777c71c9ca9/River-800.jpg" /&#62;
Don’t Ask What a River is For


	






	
&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/7420794db34cb365cf52466bb533f3f9307f971e8e349d30159122b281f8002c/Parting-Thumb-800.jpg" data-mid="142068099" border="0"  src="https://freight.cargo.site/w/800/i/7420794db34cb365cf52466bb533f3f9307f971e8e349d30159122b281f8002c/Parting-Thumb-800.jpg" /&#62;
Be Ahead of All Parting


	




</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://marysimpson.net/Writing</link>

		<pubDate>Wed, 30 Mar 2022 17:54:29 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

		<guid isPermaLink="true">https://marysimpson.net/Writing</guid>

		<description>
	My writing has appeared in Cultured,&#38;nbsp;The Brooklyn Rail,&#38;nbsp;Broadcast, Parkett,&#38;nbsp;Bomb, and other publications. A selection of original texts below include writings on other artists, writings for my solo shows, writings for group shows (those that I have organized), and scripts for my films. 
&#38;nbsp;

	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/654ac36bc066d64ad62f0da6801cd5a6a69948853cf65c89f47d4feb7df4c0d7/RT.jpg" data-mid="234469357" border="0"  src="https://freight.cargo.site/w/582/i/654ac36bc066d64ad62f0da6801cd5a6a69948853cf65c89f47d4feb7df4c0d7/RT.jpg" /&#62;
Cultured Mag: Rosemarie Trockel
	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/edbd1c51b21bb85e808243983c64a13606b8d1fe541d210d455df8f27fc20990/desana-4thumb.jpg" data-mid="216318498" border="0"  src="https://freight.cargo.site/w/582/i/edbd1c51b21bb85e808243983c64a13606b8d1fe541d210d455df8f27fc20990/desana-4thumb.jpg" /&#62;
The Brooklyn Rail: Intensive Care

	&#60;img width="794" height="1119" width_o="794" height_o="1119" data-src="https://freight.cargo.site/t/original/i/a157fdff31bbdd0add1cae1210ff8246ae166448a31f7587ff205102d1cd30c3/Broadcast-Hunger-Thumb.jpg" data-mid="208019809" border="0"  src="https://freight.cargo.site/w/794/i/a157fdff31bbdd0add1cae1210ff8246ae166448a31f7587ff205102d1cd30c3/Broadcast-Hunger-Thumb.jpg" /&#62;
Broadcast: Hunger

	&#60;img width="576" height="813" width_o="576" height_o="813" data-src="https://freight.cargo.site/t/original/i/b95bf674031365e95ddf437df78b4e99e90ddc5285aeb382401db65253c284a9/CD-P-Thumb.jpg" data-mid="138189017" border="0"  src="https://freight.cargo.site/w/576/i/b95bf674031365e95ddf437df78b4e99e90ddc5285aeb382401db65253c284a9/CD-P-Thumb.jpg" /&#62;Carroll Dunham: Green Period.
	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/32b168329f1aa1b927610fc8b7537df04a53c1441e1cb3b79f9ff262b9a0b36a/Hoosac-thumb.jpg" data-mid="216320213" border="0"  src="https://freight.cargo.site/w/582/i/32b168329f1aa1b927610fc8b7537df04a53c1441e1cb3b79f9ff262b9a0b36a/Hoosac-thumb.jpg" /&#62;Hoosac Institute Journal: Death is for the Living
	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/33e55292d201aadb6145f890b97e7673f1fad29f766a595de67fdfcf63649439/storm-thumb-bomb.jpg" data-mid="216319983" border="0"  src="https://freight.cargo.site/w/582/i/33e55292d201aadb6145f890b97e7673f1fad29f766a595de67fdfcf63649439/storm-thumb-bomb.jpg" /&#62;
Bomb: Car Talk


	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/daceeafe1b73e1e5bad60f0f01460c0e75a83d6819ea6458678654f991e57e8a/Thumb-Issue-17.jpg" data-mid="216318829" border="0"  src="https://freight.cargo.site/w/582/i/daceeafe1b73e1e5bad60f0f01460c0e75a83d6819ea6458678654f991e57e8a/Thumb-Issue-17.jpg" /&#62;
Turps Banana

	&#60;img width="582" height="821" width_o="582" height_o="821" data-src="https://freight.cargo.site/t/original/i/7e0fdb8fd45521346ec3835f6e709b7c3614520e9b1733a16a71d484b29cf5d9/Boys-or-Women-Bomb-Thumb.jpg" data-mid="216318793" border="0"  src="https://freight.cargo.site/w/582/i/7e0fdb8fd45521346ec3835f6e709b7c3614520e9b1733a16a71d484b29cf5d9/Boys-or-Women-Bomb-Thumb.jpg" /&#62;
Bomb: Boys or Women

	
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Off Hours

	
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		<title>About</title>
				
		<link>https://marysimpson.net/About</link>

		<pubDate>Wed, 04 May 2022 18:27:17 +0000</pubDate>

		<dc:creator>Mary Simpson</dc:creator>

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photo: Craig Garrett

	
︎&#38;nbsp; info.simpson@gmail.com
@simpsome.bsky.social
	

	ABOUT

Mary Simpson is a writer and artist from Alaska, currently living in Brooklyn, New York. Her writing has appeared in Cultured,&#38;nbsp;The Brooklyn Rail, Bomb, Parkett, Broadcast, and other publications. She earned an MFA in visual arts from a school she can no longer affiliate with since it aided in illegally deporting a US resident and&#38;nbsp;dangerously submitted to the White House. She attended the Whitney Museum Independent Study Program and the Skowhegan School of Painting and Sculpture, won the Rema Hort Mann prize and has had numerous solo exhibitions in New York, Chicago, and Minneapolis. Her work has been included in group exhibitions at the Seattle Art Museum and the Boise Art Museum. She has shown internationally in galleries in Brussels, London, and Beijing. &#38;nbsp;Her film screenings and lectures include the Artists Institute, The Kitchen, Goethe Institute, Henry Art Gallery, and CAM2 Madrid. She works as curator for the estate of Jimmy DeSana.&#38;nbsp;

ARTIST STATEMENT&#38;nbsp;

I am an abstract painter, writer (fiction and nonfiction), and filmmaker (16mm shorts) whose twenty-year practice is informed by connectivity. I am attuned to the importance of community in storytelling, ever since I became interested in myth as a child, when archetypes and images became a way for me to understand the world and my place in it.&#38;nbsp;My visual art and writing are interrelated: I have published essays on the work of other artists and&#38;nbsp;written speculative fiction to accompany my solo exhibitions.&#38;nbsp;For the past five years I have focused on writing nonfiction essays that integrate my perspective as both writer and artist. I try to tell stories in clear prose that is relatable and accessible to all readers. This is different than most art criticism or art historical writing, which often uses insular language that can alienate wider audiences.

Composing an exhibition is like making an essay in visual space. The language of abstraction is psychological—I make work from the nuance of the emotional body, rather than a theoretical framework. I&#38;nbsp;start from an impulse to share the intensity of experience, and I attempt to translate it visually through layering and iconographic forms. I build up my layers with oil paint over a long time, intentionally hiding my brush strokes and covering the tracks of my process. Painting is a centuries-old technology with a history of heroic influence, and I want viewers to negotiate their own reaction to my images without&#38;nbsp;reading the evidence of my hand as a maker.&#38;nbsp;If a viewer has an emotional response within the affective space of seeing my images, I am as satisfied as&#38;nbsp;when a published writing of mine similarly makes a reader feel stirred and seen. As a reader myself, this exchange is generative. Our responsibility to each other is underscored by my roles as a mother, a writer, and an artist: it is about the ability of our stories to establish mutual understanding and empathy. 

As I am in conversation with what moves me and affirms my activism, I also look to other women artists and writers to anchor my voice and perspective. The work of the writer Anne Carson has been a grounding force for my creative practice for decades and bears deeper meaning in light of my mother’s recent death from Parkinson’s and dementia. I am working on an essay that examines grief through the lens of estrangement, and how other artists’ bodies of work help us through dark times. Between Friends, a collaborative project with artist Nyeema Morgan, likewise is a gesture of reciprocity. Our bond is predicated on each of us having lost our mothers, and our next project will pick up that biological thread with a genealogical inquiry into colonial trauma and white settler history. 
The conditions of our lives and how we experience them set the tone for how voices are heard, collectively and as individuals. My practice seeks the points of contact and builds from there. 

CV

Born in Anchorage, Alaska
EducationWhitney Independent Study Program, New York, NY 2009-2010MFA, Visual Arts, Renounced, New York, NY 2007-2009BA, Creative Writing, Pacific Lutheran University, Tacoma, Washington. 1996-2000
Solo &#38;amp; 2-Person Exhibitions
2023 Preparing the Girl, Kent Place School, Summit, New Jersey
2022 between friends, with Nyeema Morgan, David Petersen, Minneapolis2021 No Island is an Island, Haynes Court, Chicago2018 Libido of the Forest, Situations, New York2016 The Wild Word, David Petersen, Minneapolis2015 Off Hours, Rachel Uffner Gallery, New York2015 Boys or Women, David Petersen, Minneapolis 
2011 Tom Burr (Collaboration), Almine Rech, Brussels2009 Young Americans, Seattle Art Museum, Seattle, Washington2006 Wait Until Spring, Brother, 4Culture Gallery, Seattle, Washington
Group Exhibitions2021 Nature as Measure, Chambers Fine Art, New York2021 44 Signs of the Times, Mana Contemporary, New Jersey2019 Nature as Measure, Chambers Fine Art, Beijing2017 Human Human, Ralph Arnold Gallery, Loyola University, Chicago 2016 Barbarian in the Garden, Pitt Street, New York2014 Glass Puzzle, Simone Subal, New York2014 No Drink No Talk Just Beautiful, On Stellar Rays, New York2013 Hollow Center, Smack Mellon, New York2012 Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, Bortolami Gallery, New York2012 Karina Bisch, Yelena Popova, Mary Simpson, Hilary Crisp, London 
2011 Tailgates and Substitutes, Thierry Goldberg, New York2011 Offset Summary, Rachel Uffner, New York2010 Half a Self, a Cave Dweller, Saint Cecillia Parish, New York2010 Faculty, Neiman Gallery, New York 2010 Relax, Socrates Sculpture Park, New York2010 Whitney Independent Study Program, Art in General, New York2009 How to Draw a Cathedral, Max Protetch, New York2008 Bivouac, Neiman Gallery, New York2008 Floating Architectures and Constant Centers: Some Projections, Martin Art Gallery, Muhlenberg College, Pennsylvania2008 Thermostat, Seattle Art Museum, Seattle, Washington2007 Thermostat: Video and the Pacific Northwest, Art Video Lounge, Art Basel Miami, Florida 2007 Nocturnes, Boise Art Museum, Boise, Idaho2007 Billy in the Lowground, Punch Gallery, Seattle, Washington2006 The Wired Forest, Kirkland Arts Center, Kirkland, Washington 2006 Works on Paper, Davidson Contemporary, Seattle, Washington 2006 Pause, Tacoma Contemporary, Tacoma, Washington2005 Nocturnes, SOIL Gallery, Seattle, Washington2005 Unearthing, SOIL Gallery, Seattle, Washington2005 Release &#38;amp; Capture, Kirkland Arts Center, Kirkland, Washington2005 Hello Central, Give Me Heaven, Hello Central, Give Me No Man’s Land, Tacoma Contemporary, Tacoma, Washington
Awards2014 Rema Hort Mann Award, New York2012 Smithsonian Contemporary Artist Award Finalist, Washington, DC

2008 Herbert S. Germaise Endowed Fellowship Award, New York

2007 LeRoy Neiman Center Print Fellowship, New York2007 Jacob K. Javits Commended Scholar, Javits Foundation, New York 2007 4Culture Special Projects Grant, Seattle, Washington2007 The Gay Clifford Award, The Slade School of Fine Art, London2006 Seattle Art Museum / PONCHO Special Recognition Award, Seattle 2006 Betty Bowen Memorial Award Finalist, Seattle, Washington2006 Northwest Film Forum 16mm Equipment Access Grant, Seattle, Washington2005 4Culture Special Projects Grant, Seattle, Washington

Residencies2025 Marble House Project, Dorset, VT
2025 Interlude Residency, Hudson, NY
2014 Creative Lab, Center on Contemporary Art, Glasgow, Scotland2011 Kamov Residency / Art in General Eastern European Exchange, Zagreb and Rijeka, Croatia2007 Skowhegan School of Painting and Sculpture, Skowhegan, Maine2004 Centrum Residency, Fort Warden State Park, Port Townsend, Washington
Bibliography: Texts Written by Mary Simpson
“Kissing TVs, an East Village Icon, and a Beloved Whippet: 3 Critics on 3 Must-See New York Shows,” Cultured, June 11, 2025“
Intensive Care,” The Brooklyn Rail, August 14, 2024
“Hunger,” Broadcast, Online, January 2024
“I Saw It and Didn’t See It,” Carroll Dunham: Green Period, JRP Editions, edited by Dan Nadel, 2023
“Death is for the Living,” Hoosac Institute Journal, Issue 4, Online, February 2020
“Mary Simpson and Joanne Greenbaum: A Correspondance,” Turps Banana, Issue 17, 2016“Car Talk: Artists Mary Simpson &#38;amp; Carroll Dunham Hit the Road,” Bomb, Online, 2016
“Boys or Women,” Bomb, Online, 2015

 “Soft Footage,” The Happy Hypocrite, Issue 7, Heat Island, Book Works, edited by Mason Leaver-Yap, 2014“Charline von Heyl: Now or Else,” Parkett, Issue 89, 2011
Bibliography: Texts Written on Mary Simpson
Christina Schmid, “between friends: On Mourning, Mirrors, and Togetherness in Extraordinary Times,“ MN Artists Walker Art Center, December 2022Ian Pedigo, “Mary Simpson: No Island is an Island,” ArtPyre, Online, October 2021Nancy Shaver, “17 Artists (+2) to Watch in 2017,” New American Paintings, Online, December 2016“9 Events to Attend in New York City This Week,” Artnews, Online, 2016 “Mary Simpson,” Art in America, Exhibitions: The Lookout, December 2015Jerry Saltz, “Go See: Mary Simpson, Off Hours,” New York Magazine, November 18, 2015Anya Ventura, “Mary Simpson,” Artforum, Critics Picks: Minneapolis, 2015“Glass Puzzle,’ Goings on about town: Art,” The New Yorker, July 21, 2014Karen Rosenberg, “Glass Puzzle,” Art in Review, The&#38;nbsp;New York Times, July 3, 2014Mason Leaver-Yap, “Mary Simpson: Leap/Linger,” Afterall Online, November 2011Mason Leaver-Yap, “Mary Simpson: MAP Commission,” MAP Magazine, UK, June 2011Claire Barliant, “Offset Summary,” The New Yorker, February 7, 2011David Everitt Howe, “Studio Visit,” Flash Art Online, January 28, 2011Jen Graves, “Young Americans,” The Stranger, May 5 – May 11, 2009Regina Hackett, “Video Artists Take the Temperature of our Region at Seattle Art Museum,” Seattle Post-Intelligencer, August 21, 2008Michael Darling, Art Basel Miami Beach, Exhibition Catalogue, December 2007Nocturnes, Exhibition Catalogue, August 2007
Regina Hackett, “The Many Friends of Mary Simpson,” Seattle Post-Intelligencer, June 2, 2007Regina Hackett, “Visual Arts: Best of 2006,” Seattle Post-Intelligencer, December 29, 2006Jen Graves, “In Arts News: Sovereign and Tantalizing,” The Stranger, Nov 23 – Nov 29, 2006 
Suzanne Beale, “Billy in the Lowground,” The Seattle Weekly, Nov 22, 2006Regina Hackett, “Compelling Installations,” Seattle Post-Intelligencer, November 17, 2006Regina Hackett, “Visions of Nature in the Age of Technology,” Seattle Post-Intelligencer, October 27, 2006Nate Lippens, “Private Screening,” Seattle Metropolitan Magazine, September 2006Nate Lippens, “Works on Paper,” Visual Codec, September 2006Regina Hackett, “Davidson Contemporary is coming up fast on the contemporary scene,” Seattle Post-Intelligencer, August 18, 2006Regina Hackett, “In the Galleries: August,” Seattle Post-Intelligencer, August 3, 2006Jen Graves, “In Arts News: Wait Until Spring, Brother,” The Stranger, Apr 27 – May 3, 2006Jen Graves, “Stranger Suggests: Projections,” The Stranger, Feb 2 – Feb 8, 2006Nate Lippens, “Visual Art: Ones to Watch,” The Stranger, Oct 8 – Oct 14, 2005Andrew Engelson, “Visual Arts Pick: Nocturnes,” Seattle Weekly, Sep 21 – 27, 2005Nate Lippens, “Just the Motion: The Handmade Animation of 'Nocturnes,’” The Stranger, Sep 8 – Sep 14, 2005Nocturnes, Exhibition Catalogue, SOIL Art Gallery, September 2005Matthew Kangas, “Young talent leaves paper trail,” The Seattle Times, April 22, 2005Nate Lippens, “On Exhibit – Group Shows: Released, Wanted, and Glimpsed,” The Stranger, April 7 – April 13, 2005Regina Hackett, “NW artists deliver a superb flight of fancy in 'Release &#38;amp; Capture,’” Seattle Post- Intelligencer, March 25, 2005Nate Lippens: “Stranger Suggests,” The Stranger, Mar 10 – Mar 16, 2005Andrew Engelson, “Visual Arts Pick, Release &#38;amp; Capture,” Seattle Weekly, March 16 – 22, 2005 
Jen Graves, “The Tollbooth beckons for thee,” Tacoma News Tribune, March 6, 2005Nate Lippens, “Hello Central: A collaborative work on the nature of propaganda,” The Stranger, Feb 17 – Feb 23, 2005Film Screenings and Lectures2024 Tax the Rich: A Colonial History of Taxes in the US + How to File As An Artist, LinkLink Club, New York
2016 Næturvarp [Night Transmissions]: Electronic Intimacy, Icelandic National Television 2015 Mary Simpson: Paintings Take Pose Now, Goethe Institute, New York2015 Sarah Charlesworth: Doubleworld, Discussion on the Allegorical, The New Museum, New York2012 Susan Howe, Emily Dickinson and Rosemarie Trockel, hosted by Mary Simpson, The Artists Institute, New York2011 Brick and Mortar Video Festival, Greenfield, Massachusetts 2010 Supposition of the Now, CAM2 Madrid, Spain2010 Whitney Independent Study Program, The Kitchen, New York 2007 Endless Summer, Northwest Film Forum, Seattle2007 Animations, Skowhegan School of Painting and Sculpture, Skowhegan, Maine2006 Betty Bowen Memorial Award Artist Presentation, Seattle Asian Art Museum, Seattle2006 Billy in the Lowground, Northwest Film Forum, Seattle, Washington 2006 Projections, Henry Art Gallery, Seattle, Washington






	


	


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